Its been a while since I've had six books on the Pull-List, but that has more to do with release schedules than it does the Big Two (DC and Marvel) offering up some quality products all of a sudden.
Sixth Place:
Darth Vader #10
Let it be known, each of the books on the Pull-List were good. So even Sixth Place here gets around a B grade.
What I like most about Kieron Gillen's story is how he's tying the Prequels to the OT (Original Trilogy). Since George Lucas had no clue what he'd do in the Prequels when he wrote the OT, there's no honest link in the OT tying the two timelines together. But seeing Naboo again, and hearing about the legacy of Queen Amidala, it goes a long way toward reconciling the two trilogies better than the trilogies did themselves.
The only problem is that its starting to feel like Brian Azzarello's New 52 Wonder Woman. Wonder Woman went on and on without much advancement in the story. It was taking forever to get anywhere. Darth Vader, while still entertaining, is starting to drag.
Fifth Place:
Star Wars #10
I can't stress enough how much Stuart Immonen's art has revitalized and legitimized this book. Its such gorgeous work.
My only request from Jason Aaron and Co. is to put the whole team together. Even in the OT we don't get to see them together all that much after A New Hope. They spit in Empire after Hoth and Luke spends most of Jedi alone on Dagobah or on the Death Star. The cast had such great chemistry, I'd love to see Aaron write something that keeps the core together for a while. Show me in this book why Han and Luke are so tight at the start of The Empire Strikes Back.
But just like Darth Vader above, this book is really enjoyable. So while I'd tweak a few things, so long as Jason Aaron and Stuart Immonen are the creative team, I'm buying.
Fourth Place:
Secret Wars #6
Now we're getting somewhere. After 5 issues of setup and getting the lay of the land and all the pieces on the board, the plot has kicked into gear. Battleworld is falling apart and our heroes from The Raft are making their move.
And the almighty deux ex machina is revealed! Suddenly we understand how Marvel will justify the Ultimate Universe's characters living in the 616. In a way, its disappointing. You almost think, "okay, I get it now, just get to the end." But that's selling this book short. Jonathan Hickman gets a bad wrap for making his stories too complicated and hard to follow, but this one has been great. And that's coming from a guy that doesn't read Marvel regularly. I think with even a passing knowledge, this book has been very user friendly.
I've always been a Reed Richards fan. Seeing the old, haggard 616 version working along side the young and evil 1610 version makes me appreciate the character even more. Hickman, and artist Esad Ribic bring a very honest weariness to this version of Reed.
Third Place:
Captain Canuck #4
My first experience with writer Kalman Andrasofszky and artist Leonard Kirk has been a pleasant one. Diving into a character I knew nothing about before Free Comic Book Day this past year has also been a pleasant one. While DC and Marvel have taken their super heroes and continually keep flipping the scripts on them, Andrasofszky and Kirk are delivering what DC and Marvel SHOULD be: a great superhero story.
Captain Canuck fights monsters and aliens and secret cabals of villains worldwide... but mainly in the Great White North. The team introduces unique concepts, designs and characters that make your basic superhero story a great superhero story. At this point, I'd take Tom Evans (Canuck) in my superhero fantasy draft before I'd take Bruce Wayne or Steve Rogers.
I know that sounds absurd... and if there really was a Superhero Fantasy Draft, I may have to give that one more thought, but my point is, this character and the world they're building are really really good.
Second Place:
Nailbiter #16
I was going to say Joshua Williamson has a way of making serial killer Edward Charles Warren (the Nailbiter) a sympathetic character. And he has, to a point. But we haven't actually seen Warren do any of his trademark killing. We've seen him do gross things, but they're usually all justified in the moment. He's such a likable character, I'd love to see Williamson write Warren falling off the wagon and killing an innocent person, and how Williamson would bring him back after that.
That brings me to this issue. Three kids (on Halloween night) dare to knock on Warren's door and run. Warren happens to be home and catches one of the kids... to bandage up his banged up knee. So we see Warren have a very charming conversation with this kid while he explains he doesn't kill children. Aww... what a noble guy.
Its a really interesting issue seeing how Williamson keeps Warren very much in character in this much different situation than we've seen him in before. He seems to have the chops to really push Warren's dark side successfully. I want to see it.
First Place:
Lando #5
Wow. Who'd have thought I'd be so emotionally invested in Lobot? Slow clap to you, Charles Soule and Alex Maleev.
Soule and Maleev take a book that's supposed to be about Lando, but really make it about what Lando's life as a smuggler and swindler has wrought up to this point. This is the last issue of their series and it leaves you on a bum-mer. Super sad, but so good. What starts as a fun heist book turns very emotional by the series' last couple pages.
I hadn't been a huge fan of Maleev's style up until this point, but he's won me over. I had read a couple Batman and Daredevil stories of his and I wasn't a fan of his dark, sketchy style. His work on Lando is a little bit cleaner, and his likenesses of Billy D. Williams and John Hollis are spot on.
Lando is the best work Marvel has yet done with the new Star Wars license.
Panel of the Week:
The scan of Mike Henderson and colorist Adam Guzowski's Buckaroo, OR street doesn't do it justice, but its a really beautiful panel.
-Gint